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Eiji Tsuburaya: Master of Monsters: Defending the Earth With Ultraman, Godzilla, and Friends in the Golden Age of Japanese Science Fiction Film, by August Ragone
Download Ebook Eiji Tsuburaya: Master of Monsters: Defending the Earth With Ultraman, Godzilla, and Friends in the Golden Age of Japanese Science Fiction Film, by August Ragone
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Pressestimmen
"[A] loving, well-researched tribute to the greatest of all Japanese Monster Makers!!"-Guillermo del ToroDirector of Pacific Rim and Pan's Labyrinth'The difference between this book and other coffee table volumes that have covered daikaiju before, though, is the staggeringly researched detail that Ragone has put into the text itself. This is not just a picture book to flip through, nod approvingly at and stick on the shelf; this is a record easily in scale with the monsters Tsuburaya created a critical and historical look at the creation and output of an industry that spanned (and has continued to span) the decades. -Tooth and Dagger, October 2007'In Eiji Tsuburaya: Master of Monsters, San Francisco based writer August Ragone has produced a fond, generously illustrated biography of the tokusatsu (special effects) genius '-Time Magazine, December 13, 2007'Anyone with a taste for reading about frantic production schedules and creative jury-rigging solutions will find much to enjoy in Ragone's text.'-Powell's Books.com, November 2007"When I moved to America to start filming Godzilla, this was one of the few books I brought with me. Eiji is a true inspiration, and a one of a kind innovator of special effects, the likes of which we'll probably never see again in cinema."-Gareth Edwards, director of Monsters and Godzilla (2014)."Eiji Tsuburaya was a very reserved man on the set. Most of the direction he gave me for the performances was, 'I trust you to do it. Do what you feel is best, I'll leave it up to you.' And that's the way he was for most of the films we worked on together after Godzilla. After the wires broke on the Rodan suit, causing me to fall several meters onto the miniature set, he chided, 'It's good that you didn't die; because I need you to finish the film.' And I replied, 'That's easy for you to say; I'm the one inside the costume.' But, these things would sometimes happen. It's been forty-three years since Tsuburaya has left us, but what a happy feeling to have a book published about him after all this time. And that it came not from Japan, but from the U.S.! I'm sure the Old Man would be as happy as I am. August did a wonderful job. Thanks to all for not forgetting him."-Haruo Nakajimaoriginal Godzilla suit actor (1954-1972) and the Man of a Thousand Monsters"A gorgeous book filled with fantastic photos and information about the father of tokusatsu."-Kaijucast
Über den Autor und weitere Mitwirkende
August Ragone has written and commented on Japanese film and pop culture for more than 20 years. He lives in San Francisco.
Produktinformation
Taschenbuch: 208 Seiten
Verlag: Chronicle Books; Auflage: 01 (1. März 2014)
Sprache: Englisch
ISBN-10: 1452135398
ISBN-13: 978-1452135397
Größe und/oder Gewicht:
22,2 x 2,5 x 27,3 cm
Durchschnittliche Kundenbewertung:
3.2 von 5 Sternen
3 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 261.837 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
For people who love japanese kaiju (monster) movies,this book is absoluteIy a must. Its beautifully illustrated withmany photos, and a treasure box full of interesting information about almost everything in japanese monstermovies.Bound and printed on fine paper. Highly Recommended.
Detailed text with many illustrations... My Godzilla-fan of a boyfriend found it deeply interesting, and I trust him on this !
Ich habe seit Jahren (!) versucht, dieses Buch über Buchhändler etc. zu bekommen. Immer ohne Erfolg.Jetzt habe ich es durch Amazon bekommen und freue mich wie ein Kind vor der Weihnachtsbescherung,über dieses "kongeniale" Buch. Ein Kindheitstraum wurde erneut wahr, und hat sich mit diesem Buchkomplett geschlossen. Sehr schön, das ich dieses Buch nun mein eigen nennen darf !!!!!
I've loved Godzilla and his Brobdingnagian Japanese brethren since I was a kid, and time never dampened my enthusiasm. Now in my 20s, I was there opening day to see Hollywood's takes on the genre with 2013's Pacific Rim and 2014's Godzilla.But I have a confession to make: as time goes by my love becomes more directed to those films made in the '50s and '60s. Not just Godzilla, but the dozens of other Toho films (Mothra, H-Man, Gargantuas - and everything in between), and not just Toho, I also really enjoy those made by other studios as response to Toho's success in that era (the Daimajin films being a particular favorite) as well as the TV shows (like Ultraman). In that era the genre had an energy and spirit that has rarely been duplicated since. I feel that, aside from some exceptions, most Japanese kaiju films made in the last few decades have been analogues to reheated leftovers.Which is what makes this book the best of all the books and magazines on the subject I've come across. In covering Tsuburaya's life and career August Ragone covers the era that interests me most. Eiji was truly the heart of Japanese science fiction and fantasy films in the '50s and '60s. He was the father of special effects in Japan, and the success and iconic stature of these films owes more to him than any other one person. Along the way we learn about his influences, the various personalities he collaborated with to create the movies and shows, like director Ishiro Honda, and we even get some insight into those movies from other companies with which Eiji had no involvement (addressed because the people who did the effects were often former members of Tsuburaya's crew!).... but that is not all! You see, along with all that good stuff I've covered, this tome is basically an art book! Hardly a page goes by without some amazing images. There are many posters and promo stills, but most are behind the scenes shots of the monsters and miniatures being built or incredible behind-the-scenes images showing the monsters and miniatures in the process of filming. It's quite a trip to see so many photo's of Godzilla patiently taking direction from Tsuburaya!Unfortunately, Tsuburaya didn't live past the decade where he did his greatest works, but his legacy lives on in every thudding footstep.Buy this book. You won't regret it!
EIJI TSUBURAYA: MASTER OF MONSTERS is chock full of interesting, obscure, and thoroughly fascinating info on one of the greatest contributors to film & TV visual effects in cinematic history - and a major (if unintentional) contributor to world-wide pop culture. Seriously! His contributions to the industry and their far-reaching effects simply cannot be understated. What this man did with some fairly measly resources never fails to astound me. Eiji Tsuburaya and his trusted, talented team of technicians were able to do more with less back in the day than hundreds of CGI animators armed with the latest cutting edge technology and millions of dollars can do today.If you enjoy old school GODZILLA and his legion of city-smashing brethren or if you're a fan of ULTRAMAN and all of his monster-boxing kin then you owe it to yourself to pick up a copy of this book and discover the ins & outs of the industry and learn the real story of the man who almost single-handedly established the special effects technique most commonly referred to today as Suitmation, (more often lovingly dubbed Man-In-Suit acting). The book is over 200 pages of insight and a veritable treasure trove of really cool pictures, many of which I've never seen before - and I've been collecting & reading about the subject for over 30 years. Author August Ragone is not only well-versed on the subject but brings real legitimacy, being well-entrenched within the Japanese film & TV industry. He's researched & written about the various aspects of the industry for over 25 years. This book comes highly recommended for both casual AND hardcore fans of Japanese giant monsters & heroes. It's a quick read, but the info and the pics are invaluable. 5 STARS
For a book which first appears to be just a biography of Japan's greatest monster-maker (and I don't say that to diminish its subject, not at all), the reader is also treated to a good glimpse of the filmmaking world Eiji Tsuburaya devoted his life to. Not like the multi-mega-bucks budgets and the high stakes publicity buzz or manufactured star power of Hollywood in the USA, you get the real sense that filmmakers in Japan pursue their craft with a genuine devotion to an art form and a noble profession. Mr. Tsuburaya was clearly no exception. Japan has and has had its media stars, but this book leaves you with the impression that dedication to the work is as or even more important that any public acclaim or fat paychecks. In fact, it is abundantly clear that Tsuburaya's love for his work came at the expense of his health and perhaps longevity in his later years.This book is not just about a guy who made rubber monster suits. It's about a man and the team of loyal and dedicated artisans he assembled that, collectively, with their "sensei's" guidance, expertise, vision and instinct created some of the most impressive cinema visual effects ever. Inventing many and perfecting most of their techniques, often with skeletal production budgets--certainly not with the avalanches of money equivalent Hollywood productions get for their SFX--you can begin to understand the sheer skill and talent these craftsmen had to fool the eye and immerse the viewer in their worlds. Not always; on occasion there might be a scene in a Tsuburaya film which appears rough around the edges or a bit stretched in quality. This can virtually always be attributed to the Tsuburaya production team being pushed or rushed for time, and/or simply not having the budget they were expecting or promised. August Ragone's book conveys these insights well, not just for kaiju films but for everything production Eiji Tsuburaya was involved in: historical pieces, documentaries, dramas, etc. This a focused history book, not just a text and photoplay layout of monster movies.The book is filled with what must be archival photographs of Tsuburaya filmmaking, both pre-production and actual on-set shooting. It's surely true that most of these images have never been seen in the USA, or even anywhere else outside of Japan before August's book gave them to us. They will let you see a view of the painstaking work that went into the detailed miniature sets these Japanese artists created from scratch. And you will get a feeling for the absolute hell it was and still can be for a stunt actor to be inside one of those cumbersome rubber monster costumes. For hours each day of filming. My take-away impression after reading about it was that they did it out of a dedication to their craft and art form, not giant paydays. All of this and more can be learned from the pages of "Eiji Tsubuyara: Master of Monsters" by August Ragone. And be assured, if you love kaiju or tokusatsu movies of any kind, or just are interested in fantasy filmmaking, your first time read-through won't be your last.
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